Hub

#CrisisPedagogy

HOW TO TEACH ART AND ART HISTORY UNDER CONDITIONS OF CRISIS? Teaching Resource Sharing Party Friday, February 17, 7-10pm e-flux, 311 E Broadway (accessible by B,D,F,J,M,Z trains) Bring your data! Flash drives, JPGs, PDFs, PPTs, lesson plans, syllabi, etc., or send files to crisispedagogy@gmail.com. Drinks and bites will be provided; additional contributions are welcome. Sponsored by the Society of Contemporary Art Historians, Sense of Emergency, Art History That, Association for Latin American Art, Association of Historians of American Art, the European Postwar and Contemporary Art Forum, Material Collective, New Media Caucus, Queer Caucus for Art, US Latinx Art Forum, Visual…

Hub

3D Additivist Cookbook

Cookbooks tend to be written in the present tense and can thus become historical documents of social traditions. The 3D Additivist Cookbook is a reference to the utilization of a current technological medium for social and political response and an insight to networked cultural production. The content of the cookbook is formed from participants’ recipes, toolkits, theoretical writings and potential objects. Being published within the cookbook genre situates this text among a diversity of tastes, ranging from artists to writers who view the 3D printer beyond its ability to produce standard objects. Production from a 3D printer is categorized as an ingredient…

Hub

Terminal 2.0

This second part of my four part Hub blog series continues to discuss my singular interface experience of the Western Front’s virtual space of Terminal. Terminal 2.0 is a web presence that considers the impact of graphical user interfaces (GUI’s) on the progression of artists’ creative processes. In the early 1980’s, GUI’s offered a user-friendly visual means of making the operation of personal computers more accessible. These types of visuals are usually in the form of graphic icons or menus. The transition of computer operations from command-line interfaces to point and click devices transformed the manipulation and processing of imagery. The web…

Hub

The Artery Enters into Special Artistic Collaboration with Award Winning Video Artist Ronen Sharabani

New York, NY, December 6, 2016 – Renowned Art + Technology company The Artery, which is actively expanding its award winning talent base by seeking the most talented digital artists in the world, has established a special artistic collaboration with acclaimed Video Artist Ronen Sharabani, a 2006 Cannes Gold Lion Prize winner. Vico Sharabani, The Artery’s Founder and Creative Director, as well as a brother of Ronen Sharabani, made the announcement. This new collaboration between The Artery and Sharabani has been designed for two purposes: To develop and present innovative and original Video Content to museums, art galleries, and other…

Hub

Report from Computer Art Congress 5

Bonjour de Paris! I’m writing today quite early in the morning before I head out to Charles de Gaulle and return home. In my short stay I’ve had difficulty sleeping, so I thought I might make use of some of that time while everything is still relatively fresh in my head. Its likely I won’t get it all here before I begin traveling, but I couldn’t wait to get started. The Computer Art Congress is an international gathering around Art, Science, Technology, and Design. The first edition was celebrated in Paris (2002), followed by Mexico City (2008), Paris (2012), and and…

Hub

Terminal 1.0

My curiosity began with an animated, vintage flashing square cursor next to the title Terminal 1.0. Terminal is an installation project at Western Front in Vancouver, Canada. The installation project examines single-user interfaces, along with how technology influences the adaptation of new artistic forms. My mini blog series will follow the four-part installation project through 2017. Media Curator, Allison Collins has curated the project so that it occupies two available spaces, one physical and one virtual. In our email exchange Collins described the physical location, “The on-site element of the project repurposes an under-used space in the Western Front building,…

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The Body Electric – an Invitational Exhibition at UW Whitewater

Over the past several years I have been managing the University of Wisconsin – Whitewater Motion Capture Studio. Our space is relatively small and we use a markerless system manufactured by Organic Motion. I was drawn to the use of MOCAP in animation because it offered a different way to make things move on the screen in relation to human movement. As I learned more about what MOCAP data looks like, I started to see potential for its use beyond conventional approaches that create figurative remediated versions of captured movements. This lead me to begin using samples from our studio…

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“Behind the Smart World Research Lab” at Ars Electronica 2016

For most of us consumers electronic devices such as smartphones, tablets, notebooks, printers or microwaves are a fundamental and indispensable parts of our daily lives. As a result of rapid growth and constant innovation the electronic industry is the world’s fastest growing industry. The “Internet of things” is increasingly adding electronic devices onto our shopping list. Devices that are adding up to a 24h surveillance system that are tracking every aspect of our life and are containers for private data. The life cycle of these products are considerably short and when they break we do not know how to fix…

Hub

Fermenting at Flux: Live and Active Cultures (Part 2)

Presented by Christina Freeman, Flux Factory artist-in-residence Over the course of my 5-month residency at Flux Factory in Long Island City, New York, I am recording a series of studio visits with other artists-in-residence (aka Fluxers), as well as outside artists collaborating with Flux for its various public programs. Through its studio residency program, Flux Factory supports approximately 30 emerging artists each year from a range of creative disciplines and international locations. Flux commissions new work through quarterly exhibitions, and residents produce public events at a prolific pace. For this interview, I invited Maya Jeffereis to talk about her current…

Hub

Fermenting at Flux: Live & Active Cultures (Part 1)

Presented by Christina Freeman, Flux Factory artist-in-residence Over the course of my 5-month residency at Flux Factory I will be recording a series of studio visits with other artists-in-residence (aka Fluxers). Through its studio residency program in Long Island City, NY, Flux Factory supports approximately 30 emerging artists each year from a range of creative disciplines and international locations. Flux commissions new work through quarterly exhibitions, and residents produce public events at a prolific pace.  The next exhibition opening on July 20th in Flux’s gallery is “Thinking Like a Machine,” by Niki Passath. Interview with Niki Passath   C: Tell…