Hub

Terminal 4.0

For the final segment of the Terminal installation at Western Front in Vancouver, Canada, Terminal 4.0 reflects on the quality of sociability with social media sites. The web-based content for Terminal 4.0 is a social media platform entitled State of Exceptional Webnation that was built by a duo of artists. The platform is part of a larger critique concerning the saturation of image culture and media hyberbole with online communication. Jean-Paul Kelly’s essay, TERMINAL; INTERFACE is the first essay that was commissioned by Media Curator, Alison Collins for the Terminal project. His essay sets a reflective tone toward the progression…

Hub

Terminal 3.0

Following the lineage of Terminal 1.0 and 2.0, Cyberspace is explored in Terminal 3.0 from a social and cultural context. The web-based content is a collection of essays that relate to network-based art and an active chat room for the duration of the exhibition. The chat room gives the online viewers an opportunity to interact with the Western Front New Media Curator, Alison Collins. Collins mentions at the end of her Terminal 3.0 introduction that she can be found lingering intermittently in the #westernfront chat room. I did take the time to choose a nickname for logging in and posted…

Hub, New Media Caucus Blog

Terminal 2.0

This second part of my four part Hub blog series continues to discuss my singular interface experience of the Western Front’s virtual space of Terminal. Terminal 2.0 is a web presence that considers the impact of graphical user interfaces (GUI’s) on the progression of artists’ creative processes. In the early 1980’s, GUI’s offered a user-friendly visual means of making the operation of personal computers more accessible. These types of visuals are usually in the form of graphic icons or menus. The transition of computer operations from command-line interfaces to point and click devices transformed the manipulation and processing of imagery. The web…

Hub, New Media Caucus Blog

Terminal 1.0

My curiosity began with an animated, vintage flashing square cursor next to the title Terminal 1.0. Terminal is an installation project at Western Front in Vancouver, Canada. The installation project examines single-user interfaces, along with how technology influences the adaptation of new artistic forms. My mini blog series will follow the four-part installation project through 2017. Media Curator, Allison Collins has curated the project so that it occupies two available spaces, one physical and one virtual. In our email exchange Collins described the physical location, “The on-site element of the project repurposes an under-used space in the Western Front building,…