Call for submissions: TOTAL SCREEN: WHY JEAN BAUDRILLARD, ONCE AGAIN? Guest Editors: Katharina Niemeyer (UNIVERSITY OF QUÉBEC IN MONTRÉAL) Magali Uhl (UNIVERSITY OF QUÉBEC IN MONTRÉAL) Extended deadline for full submissions: 15th November 2020 (for publication in May 2021). What place does or could Jean Baudrillard occupy in media studies, visual studies, and art theory today? How does his work—as both a philosopher and a vernacular photographer—continue to influence visual artists and other forms of media art? How can we confront his radical views with feminist, intersectional, queer, postcolonial, and other critical approaches? This special issue of MAST journal seeks…
Leonardo/LEAF Call for CAA 2021 Panelists – Leonardo/ISAST
The panel title is: A VISION FOR CHANGE: A NEW MEDIA ARCHITECTURE UNITING THE ARTS AND SCIENCES Please view the CAA page with the panel description and CFP here:https://caa.confex.com/caa/2021/webprogrampreliminary/Session7229.html?fbclid=IwAR1OCLTYgatgnw9rsX1jEwgLPRHXawa7Cn-j9ehEry3gjZWckA5YMC4gBcE Deadline to submit author proposals: Wednesday, September 16th, 2020 at 11:59 pm Western Standard Time. Notification of selected authors will be: Wednesday, September 30, 2020 (or soon thereafter) To submit a proposal to present a paper at this panel,please complete the proposal form linked from this CAA information page: https://caa.confex.com/caa/2021/webprogrampreliminary/meeting.htmlDirect link here: https://caa.confex.com/caa/f/tnxbicijhcpp The form will ask you to include the following information: Title Abstract (250 words max. single paragraph) The…
CfP Full Bleed 5: Adaptation – MICA
Full Bleed, an annual journal of art and design, seeks submissions for its fifth issue, forthcoming in May 2021. We publish criticism, belle lettres, artwork, design, illustration, fiction, poetry, and graphic essays. For Issue Five, we are especially interested in submissions on the theme of adaptation. In this time of accelerating change, we invite artists, designers, and writers to reflect on the various ways that ecological, technological, and social conditions have necessitated and will necessitate reinvention, hard resets, or new modes of coping, working, living, and thinking. How might art and design imagine, critique, or facilitate the adaptations that will…
Media-N CFP – No Template: Art and the Technicity of Race
UPDATED Deadline for submission of abstracts: July 31, 2020 A decade ago, Beth Coleman and Wendy Hui Kyong Chun introduced the concept of race and/as technology.* Turning to Heidegger’s notion of techne as prosthesis or skill, Coleman and Chun imagine race itself as a technology that can be leveraged, a tool for navigating systems of power. This distances race from its mythological status as biological fact, creating a critical framework that returns historical agency to the individual and helps us understand how race and ethnicity function in the visual–and technological–world. Recently, the concept has received renewed attention as the intersections…
BOT_ISH – Ely Center of Centemporary Art
BOT_ISH is an unjuried exhibition about touch and tech. From “Siri” in our pockets and “Alexa” in our homes awaiting questions and interaction, to the ethics of coding and the systems of self-driving cars, we ask: how are robots working both in tandem with and in spite of the human body? This exhibition calls all culture producers and all genders—artists, writers, thinkers, makers-to participate with work that addresses issues of consent, gender, equity, health, spirituality and identity. www.elycenter.org About: The Ely Center of Contemporary Art’s mission is to reaffirm Grace Ely’s testamentary wishes for an art center where artists, arts…
Call For Submissions: Media, Materiality and Emergency – MAST: Journal of Media Art, Study, and Theory
CFP MAST Issue 2: Media, Materiality and Emergency Deadline: 30th June 2020 In what ways do questions of materiality matter in a time of crisis? What does it mean to explore the matter of things at a time when we are threatened with the annihilation of that matter, its disappearance, or its disintegration? The second issue of MAST journal seeks to answer and further explore these questions through essays from arts practitioners and theorists. Questions of materiality have been central to both media arts practice and media and communication theory. In most accounts, media is situated as the ‘inbetween’ of…
Call For Papers: Video Game Art Reader – Issue 4 – Deadline 3/20/20
Video Game Art Reader Issue 4 Call for Papers Video Game Art Reader is accepting submissions through March 20th! Issue 4 Theme: OVERCLOCKING In computing, overclocking refers to the common practice of increasing the clock rate of a computer to exceed that certified by the manufacturer. While the concept is seductive—buy the slower, lower-cost central processing unit (CPU), accelerate the clock speed, and presto! you have a cheap, high-end processor—overclocking may destroy your CPU, motherboard, and system memory, or irreparably corrupt your hard drive (voiding your warranty being the least of your problems). This issue of the Video Game Art…
Call for Panelists: Dematerialization of the Art Experience New Media Caucus Roundtable at CAA, 2020
Call for Panelists: Dematerialization of the Art Experience New Media Caucus Roundtable at CAA, 2020 Abstract At CAA, 2014 Rachel Clarke and Tom Burtonwood convened a New Media Caucus satellite event on 3D printing at Columbia College, Chicago. Since then many of the artists and educators who participated in the roundtable have developed practices in Virtual Reality / Extended Reality experiences. This represents a distinct shift from a materialization of the digital object back to the liminality of virtual space. Using the roundtable format once again, Clarke and Burtonwood are interested in exploring the physical-virtual shift that has occurred, and…
Call for papers for special issue on Forking Paths in New Media Art Practices: Investigating Remix for Media-N Journal
We invite paper proposals for a peer reviewed special themed issue for Media-N Journal titled “Forking Paths in New Media Art Practices: Investigating Remix.” Inspired by Jorge Luis Borges’s short story “The Garden of Forking Paths,” this issue aims to include essays that function as samples of the sprawling role remix continues to have on cultural production beyond the arts. Contributions to this issue will focus on in-depth evaluations of remix in the digital arts as part of the wider interdisciplinary spectrum among the arts, humanities, and social sciences. Remix studies is a field of research that, with the implementation…
Her Environment Workshop Series: CALL FOR ENTRIES
Submissions are open for our Workshop Series! If you have skills, thoughts or a thesis you would like to share and present, please fill out the submission form on our website, or email us a proposal. >> DEADLINE: July 24th, 2019 @ 12AM CST >> herenvironment.com/submit >> herenvironment@gmail.com We are so excited to see your ideas! About: Her Environment is an expanded new media art series that seeks to create an intentional space for all artists working in digital media. Our mission is to focus on broadening the understanding of how new media practices can be used, and highlight non-traditional…