Category: Call For Papers

Submissions are open for our Workshop Series! If you have skills, thoughts or a thesis you would like to share and present, please fill out the submission form on our website, or email us a proposal. >> DEADLINE: July 24th, 2019 @ 12AM CST >> herenvironment.com/submit >> herenvironment@gmail.com We are so excited to see your ideas! About: Her Environment is an expanded new media art series that seeks to create an intentional space for all artists working in digital media. Our mission is to focus on broadening the understanding of how new media practices can be used, and highlight non-traditional…

Radical Immersions: Navigating between virtual/physical environments and information bubbles 8 – 10 September 2019, Watermans Arts Centre London, UK ~ CfP DEADLINE EXTENDED TO 7TH MAY ~ Over the past years, immersive technologies have been hyped as consumer gadgets, entertainment media and the future of exhibition practices. The free distribution of VR headsets with smartphones and the increasing interest of museums, festivals and other cultural organisers towards ‘immersive digital content’ have quickly turned VR and AR devices and applications into widely recognized cultural artefacts. The promotion of ‘full immersion’ in the physical spaces of exhibitions and museums has led to…

Scenes and Screens Festival: Speculative Realities Submit by May 15th, 2019 The 2019 Scenes and Screens Festival is currently accepting submissions for papers, films, performances, and installations that center around the topic: Speculative Realities. #SAS2019 is an all-in-VR arts, education, and technology event that provides contemporary artists and critical thinkers a platform to showcase their work and inspire international collaboration and meaningful discourse with a global audience. The topic, Speculative Realities, encourages artists and scholars to consider virtual realms at a philosophical level. The subtopics that have emerged from these ideas allow for a wider interpretation and discourse that challenge…

Video Game Art Reader (VGAR) is accepting submissions through March 29th on the topic of Overclocking! This issue proposes overclocking as a foundational metaphor for how games are produced and experienced today, and the temporal compressions and extensions of the many historical lineages that have shaped game art and culture. In the same way that a computer user might overclock the processor of their machine to achieve results beyond its intended use, how can video game art studies overclock its received historical boundaries and intervene on current video game practices that are accelerating past their limits? Might overclocking practices also…