Category Events and Announcements

NMC in CAA 2024

We have some exciting events coming up for the College Art Association 2024 Conference being held in Chicago on February 14th-17th! Technological Imaginaries: imagined futures, utopian visions, and fabulations of alternative worlds on Friday, February 16, 2024 (registration required) Co-chaired…

Member Spotlight: Jonah King

I am working as a new media artist primarily. I'm also an educator, I’m an associate professor of Interactive Digital Media at the Stevens Institute. I work in a variety of mediums- sculpture, digital video, interactive and immersive technologies. I also make kind of large-scale network projects and pretty much anything that serves my inquiry.

Member Spotlight: Justin Siji Waddell

I'm Japanese Canadian Nikkei, third generation, which has a lot of influence in my work as well, as Scottish and French Canadian.  That side of my family Is also very much involved in the labor movement in Canada, so a lot of my work deals with working within the labor movement being active within my own unions, also within larger regional and national organizations, towards social justice and equity work.

2023 Vagner Mendonça-Whitehead Microgrant grantee: Wednesday Kim

Wednesday Kim is an interdisciplinary artist and a co-founder of De:Formal Online. She is from Seoul, South Korea, and is currently based in California. Kim works with a mixture of analog and digital media, including 3D animation, video, performance, installation, print, and sculpture with clusterfuck aesthetics. Her artistic endeavors delve deep into the realm of personal experiences and the intricate workings of human psychology. Drawing inspiration from the most enigmatic corners of her mind, she masterfully crafts imagery that transcends the boundaries of the ordinary.

2023 Vagner Mendonça-Whitehead Microgrant grantee: Change Choi

Chanee Choi is a transdisciplinary artist and currently serves as an assistant professor at the University of New Mexico in The Department of Film & Digital Arts. She has developed a ritualistic craft-based art practice that transcends the conservative and isolationist roots of traditional East Asian craftwork by focusing on a celebration of feminist theory and modern tech. Within this hybrid genre, she produces both embodied and virtual immersive experiences exploring the effect of immigration on issues of identity, and the synesthetic processes of corporeal-cognitive space.